https://nadiahuggins.com Nadia Huggins Sat, 19 Sep 2020 18:28:14 +0000 https://nadiahuggins.com en https://nadiahuggins.com/HOME Fri, 18 Sep 2020 00:19:10 +0000 Nadia Huggins https://nadiahuggins.com/HOME &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; https://nadiahuggins.com/info Fri, 18 Sep 2020 00:19:10 +0000 Nadia Huggins https://nadiahuggins.com/info <img width="5464" height="8192" width_o="5464" height_o="8192" data-src="https://freight.cargo.site/t/original/i/15df6cf643cfa1f43585264a2258ba983648f8b150a536f408e1950e5fa10f9a/_E5A7606.jpeg" data-mid="244327025" border="0" src="https://freight.cargo.site/w/1000/i/15df6cf643cfa1f43585264a2258ba983648f8b150a536f408e1950e5fa10f9a/_E5A7606.jpeg" />Portrait by Jacopo Salvi Nadia Huggins (b. 1984, Trinidad and Tobago, based in St Vincent and the Grenadines) is a multidisciplinary visual artist. Using photography, video and installation, her work merges documentary and conceptual practices, which centre Caribbean land and seascapes to explore the poetics that lies in the mundane and the quotidian of human life, along with its ties to temporality, memory and transformation. Within these concerns, she often explores ecological and environmental ideas, notions of community, identity and belonging, and the aesthetic of a Caribbean withdrawn from - but still affected by - the colonial or tourist gaze. &nbsp; Her most recent work has been featured in commissioned installations and international photography and visual arts exhibits. The installations include Otras Montañas, las que andan sueltas bajo el agua at Ocean Space, Venice, Italy (2025); Caribe por venir, Museo de Arte Contemporáneo de Puerto Rico, San Juan, Puerto Rico (2025) and Prospect. 6: The future is present, the harbinger is home, held in New Orleans, US (2024). Her solo exhibitions include Coral &amp; Ash at KJCC, NYU, New York City, US (2023); Strange Territory,&nbsp; at The Betsy Hotel, Miami, US, in collaboration with WOPHA (2021); and Human stories: Circa no future, at Now Gallery, London, UK (2019). Nadia’s photographs have also been exhibited in several group shows, including the 2024 Kingston Biennial: Green x Gold, National Gallery of Jamaica, Kingston (2024); RE/SISTERS, The Barbican Art Gallery, London, UK (2023); De montanãs submarinas, el fuego hace islas, Pivô, São Paulo, Brazil (2022); Fragments of Epic Memory, Art Gallery of Ontario, Toronto, Canada (2021); and Relational Undercurrents: Contemporary Art of the Caribbean Archipelago, Museum of Latin American Art, California, US (2017). Her photography work forms part of The Wedge Collection (Toronto, Canada), The National Gallery of Jamaica (Kingston Jamaica), and The Art Museum of the Americas (Washington DC, US). She was awarded the Jury prize at the Festival Caribeen de l'image du Mémorial ACTe, Guadeloupe (2015) and was the 2023 Mellon Fellow in Residence at the Hemispheric Institute of Performance &amp; Politics at New York University and Women Photographer’s International Archive Artist in Residence (2022). Her work has been showcased in the publications A to Z of Caribbean Art, by Robert &amp; Christopher Publishers (2019) and The Routledge Companion to Photography, Representation and Social Justice, edited by Moritz Neumuller (2023), among others. Nadia was the co-founder of ARC Magazine (2011-2013) and One Drop in the Ocean – an initiative that aims to raise awareness about marine debris. nshuggins@gmail.com ©2026 Nadia Huggins. All rights reserved.&nbsp; Images may not be reproduced or published in any form, without written permission. https://nadiahuggins.com/exhibitions Fri, 18 Sep 2020 01:26:24 +0000 Nadia Huggins https://nadiahuggins.com/exhibitions Solo Exhibitions 2024&nbsp; &nbsp; &nbsp; &nbsp; Huracán Waters: Climate, Destruction and Community, The Hemispheric Institute, NYU, US&nbsp; 2023 &nbsp; &nbsp;&nbsp; &nbsp; Coral &amp; Ash, KJCC: NYU,&nbsp; NY, US 2022&nbsp; &nbsp; &nbsp; &nbsp; Strange Territory, The Betsy Hotel x WOPHA, Miami, US 2020&nbsp; &nbsp; &nbsp; &nbsp; On an Island, Missouri Southern State University, Missouri, US2019&nbsp; &nbsp; &nbsp; &nbsp; Human Stories: Circa no future, NOW Gallery, London, UK2017&nbsp; &nbsp; &nbsp; &nbsp; Fighting the Currents, Centro de la Imagen, Santo Domingo, Dominican Republic Group Exhibitions 2026&nbsp; &nbsp; &nbsp; &nbsp; Otras Montañas, las que andan sueltas bajo el agua, Museum of Contemporary Art Panama, Panama 2026 &nbsp; &nbsp;&nbsp; &nbsp;Artful Naturalism, TERA Collective RedPath Museum, Montreal, Canada 2025&nbsp; &nbsp; &nbsp; &nbsp;Caribe por venir,&nbsp;Museo de Arte Contemporáneo de Puerto Rico, San Juan, Puerto Rico 2025&nbsp; &nbsp; &nbsp; &nbsp;For all art last to return, Baltic Centre for Contemporary Art, Gateshead.&nbsp; UK 2025 &nbsp; &nbsp;&nbsp; Reflections in Black: A Reframing, NYU, New York, US 2025&nbsp; &nbsp; &nbsp; &nbsp;Floating Cinema,&nbsp; Cinema Galleggiante, Venice, Italy&nbsp; 2025&nbsp; &nbsp;&nbsp; &nbsp; Otras Montañas, las que andan sueltas bajo el agua, Ocean Space, Venice, Italy 2024&nbsp; &nbsp; &nbsp; &nbsp;Kingston Biennial 2024: Green x Gold, Kingston, National Gallery of Jamaica, Kingston, Jamaica 2024 &nbsp; &nbsp; &nbsp; Prospect. 6: The future is present, the harbinger is home, New Orleans, US 2024&nbsp; &nbsp; &nbsp; &nbsp;Surroundings: Video Encounters of Nature, Norton Museum of Art,&nbsp; Florida, US 2024. &nbsp; &nbsp;&nbsp; Homo sargassum, FSU Museum of Fine Arts, Florida, US 2024&nbsp; &nbsp; &nbsp; &nbsp;Fracture/Repair, Capture Photography Festival, Artspeak, Vancouver, Canada 2023&nbsp; &nbsp; &nbsp; &nbsp;Transatlantic Connections: Caribbean Narratives in Contemporary Art,&nbsp;1-54, London, UK&nbsp; 2023&nbsp; &nbsp; &nbsp; &nbsp;RE/SISTERS, The Barbican Art Gallery, London, UK 2023&nbsp; &nbsp; &nbsp; &nbsp;NEXUS, MOCA Tapei, Taiwan 2023 &nbsp; &nbsp;&nbsp; Limitless islands,&nbsp;Casa de las Américas, Havana, Cuba 2023 &nbsp; &nbsp;&nbsp; Unsovereign Elements,&nbsp; University of Pennsylvania, PA, US 2022&nbsp; &nbsp; &nbsp; &nbsp;Eye &amp; Eye, Nine Mornings Museum, Kingstown, St Vincent &amp; the Grenadines 2022 &nbsp; &nbsp;&nbsp; &nbsp;De montanãs submarinas, el fuego hace islas, Pivô, São Paulo, Brazil 2022&nbsp; &nbsp; &nbsp; &nbsp;Echo, Jenkins Johnson Gallery, New York, US 2022&nbsp; &nbsp; &nbsp; &nbsp;At Peace II, Two Queens Gallery, Leicester, UK 2022&nbsp; &nbsp; &nbsp; &nbsp;Archipelego,&nbsp; Le centre d’art, Port-au-Prince, Haiti 2021&nbsp; &nbsp; &nbsp; &nbsp; Fragments of Epic Memory, Art Gallery of Ontario, Toronto, Canada 2021&nbsp; &nbsp; &nbsp; &nbsp; Seascape Poetics, Concordia University, Montréal, Canada 2020&nbsp; &nbsp; &nbsp; &nbsp; Climate in crisis,&nbsp; UNO Art Gallery, University of Nebraska Omaha, Nebraska, US2020 &nbsp; &nbsp; &nbsp;&nbsp; Exploring Passages within the Black Diaspora Photographic Center Northwest, Seattle, Washington, US 2019&nbsp; &nbsp; &nbsp; &nbsp; Relational Undercurrents: Contemporary Art of the Caribbean Archipelago, Delaware&nbsp; Art Museum, Delaware, US 2019&nbsp; &nbsp; &nbsp; &nbsp; Relational Undercurrents: Contemporary Art of the Caribbean Archipelago, &nbsp; Portland&nbsp; Museum of Art, Portland, Maine, US 2019&nbsp; &nbsp; &nbsp; &nbsp; A Love Ethic, Wedge Curatorial Projects, Gladstone Hotel, Toronto, Canada 2018&nbsp; &nbsp; &nbsp; &nbsp; Caribbean Women Photographers and the Body Within Caribbean Landscapes and Seascapes, &nbsp;Addis Foto Fest 2018, Addis Ababa, Ethiopia 2018&nbsp; &nbsp; &nbsp; &nbsp;Arrivants: Art and Migration in the Anglophone Caribbean World, Barbados Museum, Barbados 2018&nbsp; &nbsp; &nbsp; &nbsp;&nbsp;Relational Undercurrents: Contemporary Art of the Caribbean Archipelago,&nbsp; Patricia &amp;&nbsp; Phillip Frost Art Museum, Miami,&nbsp; Florida, US 2018&nbsp; &nbsp; &nbsp; &nbsp; Bodies of water, material detritus, and reclamation of used things and objects,&nbsp; Tempsspace, Montréal, Canada 2018 &nbsp; &nbsp; &nbsp;&nbsp; Relational Undercurrents: Contemporary Art of the Caribbean Archipelago, Sugar Hill Children’s Museum of Art &amp;&nbsp; Storytelling, New York, US 2017&nbsp; &nbsp; &nbsp; &nbsp; Couleurs Pays, Photaumnales Festival 2017, Le Quadrilatère gallery, Beauvais, France 2017&nbsp; &nbsp; &nbsp; &nbsp; Layers Of Self. Exploring the Identity of A Caribbean Man, London, UK 2017&nbsp; &nbsp; &nbsp; &nbsp; Relational Undercurrents: Contemporary Art of the Caribbean Archipelago, Museum of Latin American Art, California, US 2017&nbsp; &nbsp; &nbsp; &nbsp; Jamaica Biennial 2017, National Gallery of Jamaica, Kingston, Jamaica 2017&nbsp; &nbsp; &nbsp; &nbsp; Small Axe: Caribbean Queer Visualities, Transmission Gallery, Glasgow, Scotland, UK 2016&nbsp; &nbsp; &nbsp; &nbsp; PRIZM Art Fair, Little Haiti, Miami, FL, US 2016&nbsp; &nbsp; &nbsp; &nbsp; Small Axe Caribbean Queer Visualities, Outburst Queer Arts Festival, Golden Thread Gallery, Belfast, Northern Ireland, UK 2016&nbsp; &nbsp; &nbsp; &nbsp; Vision Archipéliques, Fondation Clément, Martinique 2016&nbsp; &nbsp; &nbsp; &nbsp; Featured artist for Third Horizon Caribbean Film Festival, Miami, US 2016&nbsp; &nbsp; &nbsp; &nbsp; Fighting the Currents, PHOTOIMAGEN 2016, Museo de Arte Moderno Santo&nbsp; Domingo, Dominican Republic 2016&nbsp; &nbsp; &nbsp; &nbsp; Embodied Islands: A Caribbean photographic exhibition, University of Warwick, Coventry, UK 2015&nbsp; &nbsp; &nbsp; &nbsp; FESTIVAL CARIBEEN DE L'IMAGE du Mémorial ACTe, Pointe à Pitre, Guadeloupe 2015&nbsp; &nbsp; &nbsp; &nbsp; Fighting the currents single piece installation, Alice Yard AY24/7, Port of Spain,&nbsp; Trinidad &amp; Tobago 2015&nbsp; &nbsp; &nbsp; &nbsp; In Another Place, And Here, Victoria, BC, Canada 2014&nbsp; &nbsp; &nbsp; &nbsp; Mareas y Resacas, PhotoImagen 2014, Santo Domingo, Dominican Republic 2014&nbsp; &nbsp; &nbsp; &nbsp; (e)merge Art Fair: ARC + NLS collaboration, Washington DC, US&nbsp; 2014&nbsp; &nbsp; &nbsp; &nbsp; Pictures from Paradise; CONTACT Photography Festival Toronto, Canada 2014&nbsp; &nbsp; &nbsp; &nbsp; 2014 Frames: Projecting International Photography, Glasgow, Scotland, UK 2011&nbsp; &nbsp; &nbsp; &nbsp; About Change, The World Bank Group Washington DC, US 2011&nbsp; &nbsp; &nbsp; &nbsp; Wrestling with the Image, Art Museum of the Americas, Washington DC, US Awards 2015&nbsp; &nbsp; &nbsp; &nbsp; FESTIVAL CARIBEEN DE L'IMAGE du Mémorial ACTe - 2015 Jury Prize. Category: Photographer. Awarded by La Région Guadeloupe. Residencies/reviews 2023 &nbsp; &nbsp; &nbsp; &nbsp; 2023 Mellon Fellow, Hemispheric Institute 2022 &nbsp; &nbsp; &nbsp; &nbsp; WOPHA Artist in Residence 2022 at The Betsy Hotel, Miami, US&nbsp; 2021 &nbsp; &nbsp; &nbsp; &nbsp; Cross Carribean residency exchange Alice Yard x Le Centre d’art x UNESCO,&nbsp; Jacmel, Haiti&nbsp; 2018&nbsp; &nbsp; &nbsp; &nbsp; New York Times Portfolio Review 2017&nbsp; &nbsp; &nbsp; &nbsp; Once upon a water, Pico Island, the Azores 2015&nbsp; &nbsp; &nbsp; &nbsp; Vermont Studio Centre, Vermont, US&nbsp; https://nadiahuggins.com/publications-press Fri, 18 Sep 2020 01:34:33 +0000 Nadia Huggins https://nadiahuggins.com/publications-press Selected Publications&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; 2024 &nbsp; &nbsp;&nbsp; &nbsp;WSQ: Unbearable Being(s) 2023&nbsp; &nbsp; &nbsp; &nbsp; Issue No. 15, Where the Leaves Fall 2023&nbsp; &nbsp; &nbsp; &nbsp; The Beginning is the End and the End is the Beginning, SX 71: 7.2023, Small Axe&nbsp; 2023&nbsp; &nbsp; &nbsp; &nbsp; The Funambulist 47 Forest Struggles 2023 &nbsp; &nbsp; &nbsp;&nbsp; The Routledge Companion to Photography, Representation and Social Justice edited by Moritz Neumuller 2023&nbsp; &nbsp; &nbsp; &nbsp; Esferas 14, Cross Currents, NYU Department of Spanish &amp; Portuguese 2021 &nbsp; &nbsp; &nbsp; &nbsp; Cover photo for American Chordata 2021 &nbsp; &nbsp;&nbsp; &nbsp; &nbsp;ARCHIVES №1 Nadia Huggins, Au Courant 2020&nbsp; &nbsp; &nbsp; &nbsp; Forgotten Lands Volume 3: In Defense of Paradise 2020&nbsp; &nbsp; &nbsp; &nbsp; Black Futures, By Kimberly Drew and Jenna Wortham 2020&nbsp; &nbsp; &nbsp; &nbsp; Submerged Bodies The Tidalectics of Representability and the Sea in Caribbean Art,&nbsp; Liquid Ecologies in Latin American &amp; Caribbean Art 2019&nbsp; &nbsp; &nbsp; &nbsp; A to Z of Caribbean Art 2019&nbsp; &nbsp; &nbsp; &nbsp; Caribbean Quarterly, Volume 65, Issue 1 2017&nbsp; &nbsp; &nbsp; &nbsp; Cover photo for So many Islands 2017&nbsp; &nbsp; &nbsp; &nbsp; SX52, visual portfolio, Small Axe 2016&nbsp; &nbsp; &nbsp; &nbsp; Cover photo for Journal of West Indian Literature, Vol. 24 No 2, November 2015&nbsp; &nbsp; &nbsp; &nbsp; SX47, Caribbean Queer Visualities, Portfolio II, Small Axe 2015&nbsp; &nbsp; &nbsp; &nbsp; Cover photo for Washington Square review, issue 36 2015&nbsp; &nbsp; &nbsp; &nbsp; Cover photo for Territories of the Soul: Queered Belonging in the Black Diaspora by Nadia Ellis 2014&nbsp; &nbsp; &nbsp; &nbsp; See me here: A Survey of Contemporary Self-Portraits from the Caribbean 2012&nbsp; &nbsp; &nbsp; &nbsp; Pictures from Paradise: A Survey of Contemporary Caribbean Photography 2012&nbsp; &nbsp; &nbsp; &nbsp; Majesty Magazine Online features 2025 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Depth of Field, The Flow Trip&nbsp; 2022 &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; La Mer Sea of Possibility, Vogue 2022 &nbsp; &nbsp; &nbsp; &nbsp; Where is the Caribbean Body? Gatopardo 2022 &nbsp; &nbsp; &nbsp; &nbsp; The Whole Earth Breathes,&nbsp;National Geographic 2022 &nbsp; &nbsp; &nbsp; &nbsp; Diotima Pre-Fall 2022 Collection, Vogue 2022 &nbsp; &nbsp; &nbsp; &nbsp; Featured Photographer, Foto Feminas 2021 &nbsp; &nbsp; &nbsp; &nbsp; Nadia Huggins on Freedom, the Ocean, and Re-presenting the Caribbean, Photoworks 2021 &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; In Conversation with Nadia Huggins, Going Below the Surface, C&amp; América Latina 2021 &nbsp; &nbsp; &nbsp; &nbsp; Ashes to Ashes, Dust to Dust, Moko Magazine 2021 &nbsp; &nbsp; &nbsp; &nbsp; Adobe Creative Cloud, Riding colour trend waves 2020 &nbsp; &nbsp;&nbsp; &nbsp; Vogue 2020&nbsp; &nbsp; &nbsp; &nbsp; The Independent Photographer 2019&nbsp; &nbsp; &nbsp; &nbsp; Aesthetica Magazine2019&nbsp; &nbsp; &nbsp; &nbsp; Its nice that2019&nbsp; &nbsp; &nbsp; &nbsp; Creative Review2019&nbsp; &nbsp; &nbsp; &nbsp; Greenwich Peninsula2019&nbsp; &nbsp; &nbsp; &nbsp; Client Magazine2018&nbsp; &nbsp; &nbsp; &nbsp; Nominee for the Royal Photographic Society Hundred Heroines campaign 2018&nbsp; &nbsp; &nbsp; &nbsp; Women Photograph2016&nbsp; &nbsp; &nbsp; &nbsp; The Creators Project2016&nbsp; &nbsp; &nbsp; &nbsp; Moko Magazine, Issue 82016&nbsp; &nbsp; &nbsp; &nbsp; Featured artist on the House of Marley blog2015&nbsp; &nbsp; &nbsp; &nbsp; The Creators Project2014&nbsp; &nbsp; &nbsp; &nbsp; Featured artist on Wondereur2014&nbsp; &nbsp; &nbsp; &nbsp; We and the color2014&nbsp; &nbsp; &nbsp; &nbsp; Guest Instagrammer for Feature Shoot2014&nbsp; &nbsp; &nbsp; &nbsp; Positive Magazine feature2013&nbsp; &nbsp; &nbsp; &nbsp; The Culture Trip2013&nbsp; &nbsp; &nbsp; &nbsp; ArtCronica issue 32013&nbsp; &nbsp; &nbsp; &nbsp; iPhone Photography Awards2012&nbsp; &nbsp; &nbsp; &nbsp; Fubiz2012&nbsp; &nbsp; &nbsp; &nbsp; Empty Kingdom2011&nbsp; &nbsp; &nbsp; &nbsp; Words Without Borders2011&nbsp; &nbsp; &nbsp; &nbsp; Positive Magazine2010&nbsp; &nbsp; &nbsp; &nbsp;Collaborations feature - Advanced Photoshop Magazine issue 78 Interviews/Articles 2025&nbsp; &nbsp; &nbsp; &nbsp;Common-Places: Édouard Glissant, Nadia Huggins, and the Poetics and Politics of the Deep, Kate Keohane 2025&nbsp; &nbsp; &nbsp; &nbsp;Ocean Explorer, Oy Surf 2024 &nbsp; &nbsp;&nbsp; &nbsp;Ecological Memory: Archiving Offshore, Revisions&nbsp; 2024 &nbsp; &nbsp;&nbsp; Loudreading: Black Sand by Nadia Huggins, E-flux Architecture&nbsp; 2024 &nbsp; &nbsp;&nbsp; Ecological Memory: Archiving Offshore : a live editorial, re:arc institute, Friday Late, Victoria &amp; Albert Museum&nbsp; 2023&nbsp; &nbsp; &nbsp; &nbsp;Coral &amp; Ash, SX Blog 2023 &nbsp; &nbsp;&nbsp; 台北當代藝術館 MoCA on Air 2023&nbsp; &nbsp; &nbsp; &nbsp;On the Brink: Nadia Huggins’ “Coral &amp; Ash” Exhibition, Digital Junkanoo 2022&nbsp; &nbsp; &nbsp; &nbsp;Inspicio Arts interview 2022&nbsp; &nbsp; &nbsp; &nbsp;Le Centre d’art Archipelago causeries artist talk with Pascale Monnin 2022 &nbsp; &nbsp; &nbsp; Atlantic World Art Fair 2022: Women and Photography in the Caribbean 2022 &nbsp; &nbsp; &nbsp; Photography+ Environment #14, Nisha Eswaran in Conversation with Nadia Huggins 2021&nbsp; &nbsp; &nbsp; &nbsp;Biotic Resistance - Eco-Caribbean Visions in Art and Exhibition Practice 2021&nbsp; &nbsp; &nbsp; &nbsp;The Responsibility of Designing Resilience - Giselle Carr, Nadia Huggins, Yutaka Takiura 2021 &nbsp; &nbsp; &nbsp; Transformation through eruption, Global Voices (part 1)&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;We have to find something in ourselves, Global Voices (part2) 2021 &nbsp; &nbsp; &nbsp; &nbsp; Catching her Ash, as told by BC Pires, Trinidad &amp; Tobago Newsday 2021 &nbsp; &nbsp; &nbsp;&nbsp; Ecofeminisms, The Feminist Art Project, Rutger’s University 2020&nbsp; &nbsp; &nbsp; &nbsp; Landscaping with Nadia Huggins and Richard Fung&nbsp; 2020&nbsp; &nbsp; &nbsp; &nbsp; The Blue Mind podcast. Episode 1: Blue Mind, Green Mind. Buddy Peace, Haeckels 2020&nbsp; &nbsp; &nbsp; &nbsp; On an Island artist talk, Spiva art gallery, Missouri State Southern University2020&nbsp; &nbsp; &nbsp; &nbsp; Huggins Collective Curatorial Statement, Other Futures 2018, Princeton University 2019&nbsp; &nbsp; &nbsp; &nbsp; NOW Gallery Podcast2017&nbsp; &nbsp; &nbsp; &nbsp; TEDxportofspain speaker2017&nbsp; &nbsp; &nbsp; &nbsp; The Competing Politics of the Jamaica Biennial, Hyperallergic 2017&nbsp; &nbsp; &nbsp; &nbsp; Q&amp;A, WOW magazine2016&nbsp; &nbsp; &nbsp; &nbsp; Breakfast Culture Club feature 2016&nbsp; &nbsp; &nbsp; &nbsp; Her Father's Ghost by Andre Bagoo, Trinidad and Tobago Newsday 2016&nbsp; &nbsp; &nbsp; &nbsp; Interview with Voluble, a new channel of Los Angeles Review of Books2016&nbsp; &nbsp; &nbsp; &nbsp; Nadia Huggins: A Brief Interview with Repeating Islands2015&nbsp; &nbsp; &nbsp; &nbsp; “After the Leap,” (introduction to a portfolio of images written by Melanie Archer) Caribbean Beat, Issue 1342014&nbsp; &nbsp; &nbsp; &nbsp; Designer Island: Interview2013&nbsp; &nbsp; &nbsp; &nbsp; DC5Q: A brief convo with Nadia Huggins2010&nbsp; &nbsp; &nbsp; &nbsp; Book cover photography for Hugh Howey’s Halfway Home https://nadiahuggins.com/Disappearing-people Sat, 19 Sep 2020 18:28:14 +0000 Nadia Huggins https://nadiahuggins.com/Disappearing-people <img width="1050" height="1400" width_o="1050" height_o="1400" data-src="https://freight.cargo.site/t/original/i/b88c753d9f8acfeae6719083082be566d2b6d2a6f96bee79fc6b4640b84da10a/Disappearing-people_nh.jpg" data-mid="83168461" border="0" data-scale="53" src="https://freight.cargo.site/w/1000/i/b88c753d9f8acfeae6719083082be566d2b6d2a6f96bee79fc6b4640b84da10a/Disappearing-people_nh.jpg" /> <img width="1050" height="1400" width_o="1050" height_o="1400" data-src="https://freight.cargo.site/t/original/i/e220bf8b666df7a28c019c0a251e95745ef8ec3a921a2dc1eb9bdb524fc74e90/P5300180.jpg" data-mid="83168462" border="0" src="https://freight.cargo.site/w/1000/i/e220bf8b666df7a28c019c0a251e95745ef8ec3a921a2dc1eb9bdb524fc74e90/P5300180.jpg" /> <img width="1050" height="1400" width_o="1050" height_o="1400" data-src="https://freight.cargo.site/t/original/i/9d646cd5f7d948653c6ab228701638b66db51abc9fa59b56c898364f0cd692a7/P6060233.JPG" data-mid="83168466" border="0" src="https://freight.cargo.site/w/1000/i/9d646cd5f7d948653c6ab228701638b66db51abc9fa59b56c898364f0cd692a7/P6060233.JPG" /> <img width="1050" height="1400" width_o="1050" height_o="1400" data-src="https://freight.cargo.site/t/original/i/a8fae18c35729a548e378127a587880ce894ec409f68f63435d89374c594f757/P6010139.jpg" data-mid="83168463" border="0" src="https://freight.cargo.site/w/1000/i/a8fae18c35729a548e378127a587880ce894ec409f68f63435d89374c594f757/P6010139.jpg" /> <img width="1050" height="1400" width_o="1050" height_o="1400" data-src="https://freight.cargo.site/t/original/i/a576bbeb3e407c0ee87e1e7bed5e44b906a5e15a914b566fb4b6ba2c2667308a/P6010360.jpg" data-mid="83168465" border="0" src="https://freight.cargo.site/w/1000/i/a576bbeb3e407c0ee87e1e7bed5e44b906a5e15a914b566fb4b6ba2c2667308a/P6010360.jpg" /> <img width="1050" height="1400" width_o="1050" height_o="1400" data-src="https://freight.cargo.site/t/original/i/e6fbc57e1cf37bad41d55f748d95a6f10848baf64db7d557be96435f28da416a/P6010146.JPG" data-mid="83168464" border="0" src="https://freight.cargo.site/w/1000/i/e6fbc57e1cf37bad41d55f748d95a6f10848baf64db7d557be96435f28da416a/P6010146.JPG" /> <img width="1050" height="1400" width_o="1050" height_o="1400" data-src="https://freight.cargo.site/t/original/i/dea490d407d2adfe1596aa422c94f2e746b0a44aa6036c8680aa09084a41a06a/P6060237.JPG" data-mid="83168467" border="0" src="https://freight.cargo.site/w/1000/i/dea490d407d2adfe1596aa422c94f2e746b0a44aa6036c8680aa09084a41a06a/P6060237.JPG" /> Disappearing people 2018-ongoing Index Next︎ https://nadiahuggins.com/Is-that-a-buoy Sat, 19 Sep 2020 18:14:51 +0000 Nadia Huggins https://nadiahuggins.com/Is-that-a-buoy <img width="3000" height="1977" width_o="3000" height_o="1977" data-src="https://freight.cargo.site/t/original/i/6d94f46f667e0f9ebe4b7e3bf789fa831a3f271371f74edc3447b48feaf5209f/Is-that-a-buoy.jpg" data-mid="83167997" border="0" alt="Is that a buoy? Digital photographs (diptych) 22.5 in. x 30 in. ( 50.8 x 76.2 cm) 2015" data-caption="Is that a buoy? Digital photographs (diptych) 22.5 in. x 30 in. ( 50.8 x 76.2 cm) 2015" src="https://freight.cargo.site/w/1000/i/6d94f46f667e0f9ebe4b7e3bf789fa831a3f271371f74edc3447b48feaf5209f/Is-that-a-buoy.jpg" /> <img width="720" height="404" width_o="720" height_o="404" data-src="https://freight.cargo.site/t/original/i/1895592452f296bded3c05208052af789fe4d0a2fa46be35e452673367d5eaf0/Installation-Shot-Jamaica-B-720x404.jpg" data-mid="83167998" border="0" alt="Installation photo from Jamaica Biennial 2017 " data-caption="Installation photo from Jamaica Biennial 2017 " src="https://freight.cargo.site/w/720/i/1895592452f296bded3c05208052af789fe4d0a2fa46be35e452673367d5eaf0/Installation-Shot-Jamaica-B-720x404.jpg" /> Is that a buoy?&nbsp; 2015 This work was first published in Small Axe: A Caribbean Journal of Criticism under a grant from the Andy Warhol Foundation for the Visual Arts.Is that&nbsp;a&nbsp;buoy? explores the ambiguity of the body in the sea, especially when observed from a&nbsp;distance, and the assumptions one makes about gender and sexuality based on physical appearances. We have been conditioned to make certain distinctions between male and female. Hair&nbsp;is&nbsp;one of the first attributes&nbsp;that&nbsp;we use when making these distinctions. I am stereotyped as being masculine constantly because of the absence of my hair. Index Next︎ https://nadiahuggins.com/Circa-no-future Fri, 18 Sep 2020 02:29:22 +0000 Nadia Huggins https://nadiahuggins.com/Circa-no-future <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/e5959a823807053f280b865b60ef9446b61a9275ffb2c9919c73b568cc11e9c3/1.jpg" data-mid="83159131" border="0" src="https://freight.cargo.site/w/1000/i/e5959a823807053f280b865b60ef9446b61a9275ffb2c9919c73b568cc11e9c3/1.jpg" /> <img width="1050" height="1400" width_o="1050" height_o="1400" data-src="https://freight.cargo.site/t/original/i/f0e06ec391574b5b19b1e39d0b1c376d0ec2c35b562d85dd10552d4c6c9ff686/2a.jpg" data-mid="83159134" border="0" src="https://freight.cargo.site/w/1000/i/f0e06ec391574b5b19b1e39d0b1c376d0ec2c35b562d85dd10552d4c6c9ff686/2a.jpg" /> <img width="1125" height="1500" width_o="1125" height_o="1500" data-src="https://freight.cargo.site/t/original/i/938f5867a8be6b1c6bbf3f51c926c288852955f4b8ba4efb15865bb21975983c/2c.jpg" data-mid="83159139" border="0" src="https://freight.cargo.site/w/1000/i/938f5867a8be6b1c6bbf3f51c926c288852955f4b8ba4efb15865bb21975983c/2c.jpg" /> <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/95ae1ff8a2bfc79cc914caf3109a545852be31adb07ab8fcad11edd99c4419f5/P5160250.jpg" data-mid="83159168" border="0" src="https://freight.cargo.site/w/1000/i/95ae1ff8a2bfc79cc914caf3109a545852be31adb07ab8fcad11edd99c4419f5/P5160250.jpg" /> <img width="1125" height="1500" width_o="1125" height_o="1500" data-src="https://freight.cargo.site/t/original/i/addb09b262cbd7dff0bf4c0a5d8a5a45090c843472b8cd1c412f91b4633e9ba2/P5160330.jpg" data-mid="83159169" border="0" src="https://freight.cargo.site/w/1000/i/addb09b262cbd7dff0bf4c0a5d8a5a45090c843472b8cd1c412f91b4633e9ba2/P5160330.jpg" /> <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/f7c4b1161ea2c5209cf339149bc54008e47c67438cf0bba362f0403fba780a20/11b.jpg" data-mid="83159161" border="0" src="https://freight.cargo.site/w/1000/i/f7c4b1161ea2c5209cf339149bc54008e47c67438cf0bba362f0403fba780a20/11b.jpg" /> <img width="1125" height="1500" width_o="1125" height_o="1500" data-src="https://freight.cargo.site/t/original/i/9c700f542e0580a340a190b8398d21bd8931a66599a0242bb55cd70c66c33acf/2b.jpg" data-mid="83159137" border="0" src="https://freight.cargo.site/w/1000/i/9c700f542e0580a340a190b8398d21bd8931a66599a0242bb55cd70c66c33acf/2b.jpg" /> <img width="1125" height="1500" width_o="1125" height_o="1500" data-src="https://freight.cargo.site/t/original/i/623ac82dc28698046ab38400cab57ad20b51eddec14e764e8eda72d7da6ba1cd/3.jpg" data-mid="83159142" border="0" src="https://freight.cargo.site/w/1000/i/623ac82dc28698046ab38400cab57ad20b51eddec14e764e8eda72d7da6ba1cd/3.jpg" /> <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/0649efa5739d70a0019c4b7ee41be79ebf8668bd22fcf26ec19dbd3061f3b52e/4.jpg" data-mid="83159144" border="0" src="https://freight.cargo.site/w/1000/i/0649efa5739d70a0019c4b7ee41be79ebf8668bd22fcf26ec19dbd3061f3b52e/4.jpg" /> <img width="1125" height="1500" width_o="1125" height_o="1500" data-src="https://freight.cargo.site/t/original/i/e46ec18818c054da780f573ca9c2d58067cb79ca613b93059e355a9a3b460152/P5120168.jpg" data-mid="83159166" border="0" src="https://freight.cargo.site/w/1000/i/e46ec18818c054da780f573ca9c2d58067cb79ca613b93059e355a9a3b460152/P5120168.jpg" /> <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/267ba0a62e5cb571689ac83068fdece1f8859244cd688507855bd3a4c19669a9/5.jpg" data-mid="83159146" border="0" src="https://freight.cargo.site/w/1000/i/267ba0a62e5cb571689ac83068fdece1f8859244cd688507855bd3a4c19669a9/5.jpg" /> <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/7fd712249838c64091d14e1dfc56f05118f2abfe7b4d1030d2fd21a818388a75/7.jpg" data-mid="83159150" border="0" src="https://freight.cargo.site/w/1000/i/7fd712249838c64091d14e1dfc56f05118f2abfe7b4d1030d2fd21a818388a75/7.jpg" /> <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/58903f4e7f66edf46c8f3e4cfb42de00396fa357bef2d63ebf20ceda493adf19/P6080461.jpg" data-mid="83159170" border="0" src="https://freight.cargo.site/w/1000/i/58903f4e7f66edf46c8f3e4cfb42de00396fa357bef2d63ebf20ceda493adf19/P6080461.jpg" /> <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/b7835acc73f7800339f68a831561f3c9be086775357bf490148150345697cf47/10.jpg" data-mid="83159158" border="0" src="https://freight.cargo.site/w/1000/i/b7835acc73f7800339f68a831561f3c9be086775357bf490148150345697cf47/10.jpg" /> <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/0622ab28e5f2a52956328bb1708ceb79cb3210ba7938897f9fabb3fa89556549/6.jpg" data-mid="83159148" border="0" src="https://freight.cargo.site/w/1000/i/0622ab28e5f2a52956328bb1708ceb79cb3210ba7938897f9fabb3fa89556549/6.jpg" /> <img width="1400" height="1050" width_o="1400" height_o="1050" data-src="https://freight.cargo.site/t/original/i/2db056a8e2c4cc5541bbe40ea3d4359682e5c8e1f35ee627dda1e4f1de1d3ec4/8.jpg" data-mid="83159152" border="0" src="https://freight.cargo.site/w/1000/i/2db056a8e2c4cc5541bbe40ea3d4359682e5c8e1f35ee627dda1e4f1de1d3ec4/8.jpg" /> <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/41a7772a0f34f61b16b8fddce218da0a5d64bb1ef89698b56e77d81abf3250e1/11.jpg" data-mid="83159159" border="0" src="https://freight.cargo.site/w/1000/i/41a7772a0f34f61b16b8fddce218da0a5d64bb1ef89698b56e77d81abf3250e1/11.jpg" /> <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/9a0ca4ddae4973dc8b68c122c19f33e1ab601f59b7da2cae1d32ebcdabdb7f42/9.jpg" data-mid="83159155" border="0" src="https://freight.cargo.site/w/1000/i/9a0ca4ddae4973dc8b68c122c19f33e1ab601f59b7da2cae1d32ebcdabdb7f42/9.jpg" /> <img width="1400" height="1050" width_o="1400" height_o="1050" data-src="https://freight.cargo.site/t/original/i/a990bfd05ab003bc3ac7c91f72f84210c1d2b5ba75ec2ae0231784b71ea7acc9/11a.jpg" data-mid="83159160" border="0" src="https://freight.cargo.site/w/1000/i/a990bfd05ab003bc3ac7c91f72f84210c1d2b5ba75ec2ae0231784b71ea7acc9/11a.jpg" /> <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/ab2bb494e153137646a131740b6c3251812747558017f4f2ee239758f364705a/2.jpg" data-mid="83041872" border="0" src="https://freight.cargo.site/w/1000/i/ab2bb494e153137646a131740b6c3251812747558017f4f2ee239758f364705a/2.jpg" /> Circa no future Indian Bay, Saint Vincent &amp; the Grenadines. 2014-ongoing.Exploring the vulnerable masculine under waterBelieving there to be a link between an under-explored aspect of Caribbean adolescent masculinity and the freedom of bodies in the ocean, I have decided to creatively document boys' interaction with the sea. These pieces capture manhood, snippets of vulnerability and moments of abstraction, that often go unrecognized in the day-to-day. The ocean itself takes on a personality - that of the embracing mother providing a safe space for being - which is both archetypal and poignant. I am as much a subject as the boys for whom I provide solace. The boys climb a large rock, proving their manhood through endurance, fearlessly jump, and become submerged in a moment of innocent unawareness. They emerge having proven themselves. The relationship between myself and the subject is also explored within this paradigm. The subjects are aware of me while posturing, but lose this cognizance when they sink into the water. It is this moment that tells the true story. Index Next︎ https://nadiahuggins.com/Transformations Fri, 18 Sep 2020 00:19:10 +0000 Nadia Huggins https://nadiahuggins.com/Transformations <img width="1800" height="1150" width_o="1800" height_o="1150" data-src="https://freight.cargo.site/t/original/i/64b837af6c449c727f75b804b5c06c191020b642a700970de54d202628ade674/1_transformations.jpg" data-mid="83037194" border="0" alt="Transformations No. 1. Digital Photograph. 30&quot;x 46.5&quot;. 2015. " data-caption="Transformations No. 1. Digital Photograph. 30&quot;x 46.5&quot;. 2015. " src="https://freight.cargo.site/w/1000/i/64b837af6c449c727f75b804b5c06c191020b642a700970de54d202628ade674/1_transformations.jpg" /> <img width="1800" height="1150" width_o="1800" height_o="1150" data-src="https://freight.cargo.site/t/original/i/daa5d7c70f024e74fb810ea823b2c1ac3b1625a300a472a965f7dd0170964e73/2_transformations.jpg" data-mid="83037195" border="0" alt="Transformations No. 2. Digital Photograph. 30&quot;x 46.5&quot;. 2016. " data-caption="Transformations No. 2. Digital Photograph. 30&quot;x 46.5&quot;. 2016. " src="https://freight.cargo.site/w/1000/i/daa5d7c70f024e74fb810ea823b2c1ac3b1625a300a472a965f7dd0170964e73/2_transformations.jpg" /> <img width="1800" height="1150" width_o="1800" height_o="1150" data-src="https://freight.cargo.site/t/original/i/53212b6b67d3803574d73606f8ac0ec0677189f486ecb38dca7bc581d3ed32f1/3_transformations.jpg" data-mid="83037196" border="0" alt="Transformations No. 3. Digital Photograph. 30&quot;x 46.5&quot;. 2016." data-caption="Transformations No. 3. Digital Photograph. 30&quot;x 46.5&quot;. 2016." src="https://freight.cargo.site/w/1000/i/53212b6b67d3803574d73606f8ac0ec0677189f486ecb38dca7bc581d3ed32f1/3_transformations.jpg" /> <img width="1800" height="1150" width_o="1800" height_o="1150" data-src="https://freight.cargo.site/t/original/i/9b0633caa4dddf2471582fba5d1250a3c9f86895e5c78bcd564b6e7234d4e206/4_transformations_NH.jpg" data-mid="83037197" border="0" alt="Transformations No. 4. Digital Photograph. 30&quot;x 46.5&quot;. 2016." data-caption="Transformations No. 4. Digital Photograph. 30&quot;x 46.5&quot;. 2016." src="https://freight.cargo.site/w/1000/i/9b0633caa4dddf2471582fba5d1250a3c9f86895e5c78bcd564b6e7234d4e206/4_transformations_NH.jpg" /> <img width="1800" height="1150" width_o="1800" height_o="1150" data-src="https://freight.cargo.site/t/original/i/f153b96d20122526a7f9441b80ae91952fa8a0f535a4f669d78bc9ee86557a1b/5_transformations_NH.jpg" data-mid="83037198" border="0" alt="Transformations No. 5. Digital Photograph. 30&quot;x 46.5&quot;. 2016." data-caption="Transformations No. 5. Digital Photograph. 30&quot;x 46.5&quot;. 2016." src="https://freight.cargo.site/w/1000/i/f153b96d20122526a7f9441b80ae91952fa8a0f535a4f669d78bc9ee86557a1b/5_transformations_NH.jpg" /> <img width="1800" height="1150" width_o="1800" height_o="1150" data-src="https://freight.cargo.site/t/original/i/3240204091f1725ad30d48e7a7a11ee083537026880f596a30b4eee41200d38f/6_transformations.jpg" data-mid="83037199" border="0" alt="Transformations No. 6. Digital Photograph. 30&quot;x 46.5&quot;. 2016." data-caption="Transformations No. 6. Digital Photograph. 30&quot;x 46.5&quot;. 2016." src="https://freight.cargo.site/w/1000/i/3240204091f1725ad30d48e7a7a11ee083537026880f596a30b4eee41200d38f/6_transformations.jpg" /> <img width="1800" height="1150" width_o="1800" height_o="1150" data-src="https://freight.cargo.site/t/original/i/64f183fee2bfe421f2e31366821db100bfa11aa1c095d91c3a111ff41a24baee/7_transformations.jpg" data-mid="83037200" border="0" alt="Transformations No. 7. Digital Photograph. 30&quot;x 46.5&quot;. 2016." data-caption="Transformations No. 7. Digital Photograph. 30&quot;x 46.5&quot;. 2016." src="https://freight.cargo.site/w/1000/i/64f183fee2bfe421f2e31366821db100bfa11aa1c095d91c3a111ff41a24baee/7_transformations.jpg" /> <img width="1800" height="1150" width_o="1800" height_o="1150" data-src="https://freight.cargo.site/t/original/i/9915ab7fb343b488e6cab0d5c4456435e16b442a04317f3061f2c60084456e15/8_transformations_NH.jpg" data-mid="83037201" border="0" alt="Transformations No. 8. Digital Photograph. 30&quot;x 46.5&quot;. 2016." data-caption="Transformations No. 8. Digital Photograph. 30&quot;x 46.5&quot;. 2016." src="https://freight.cargo.site/w/1000/i/9915ab7fb343b488e6cab0d5c4456435e16b442a04317f3061f2c60084456e15/8_transformations_NH.jpg" /> <img width="1800" height="1150" width_o="1800" height_o="1150" data-src="https://freight.cargo.site/t/original/i/0d1e5394159b80a492b95e3e5991d1bb8ba486a7d325959147c99093db89922b/9_transformations.jpg" data-mid="83037202" border="0" alt="Transformations No. 9. Digital Photograph. 30&quot;x 46.5&quot;. 2016." data-caption="Transformations No. 9. Digital Photograph. 30&quot;x 46.5&quot;. 2016." src="https://freight.cargo.site/w/1000/i/0d1e5394159b80a492b95e3e5991d1bb8ba486a7d325959147c99093db89922b/9_transformations.jpg" /> <img width="1800" height="1150" width_o="1800" height_o="1150" data-src="https://freight.cargo.site/t/original/i/ffe179ef102126c594459baa8e484c42690af1be94a9fbf4f8faad16e334d7ed/10_transformations.jpg" data-mid="83037203" border="0" alt="Transformations No. 10. Digital Photograph. 30&quot;x 46.5&quot;. 2016." data-caption="Transformations No. 10. Digital Photograph. 30&quot;x 46.5&quot;. 2016." src="https://freight.cargo.site/w/1000/i/ffe179ef102126c594459baa8e484c42690af1be94a9fbf4f8faad16e334d7ed/10_transformations.jpg" /> <img width="1800" height="1150" width_o="1800" height_o="1150" data-src="https://freight.cargo.site/t/original/i/d23a70df08ba90d075cc960918f1e611e04fcd0bb2b02b28915359d73d56a635/11_transformations_NH.jpg" data-mid="83037204" border="0" alt="Transformations No. 11. Digital Photograph. 30&quot;x 46.5&quot;. 2016." data-caption="Transformations No. 11. Digital Photograph. 30&quot;x 46.5&quot;. 2016." src="https://freight.cargo.site/w/1000/i/d23a70df08ba90d075cc960918f1e611e04fcd0bb2b02b28915359d73d56a635/11_transformations_NH.jpg" /> Transformations 2014-2016 Transformations is a series of diptychs that explores the relationship between my identity and the marine ecosystem.During my daily swim, I became preoccupied with the changes I saw happening before me with the deterioration of coral reefs that were once alive. At the same time I was finding solace through the amorphous quality and weightlessness of my body in the water. I decided to take my camera into the water to document the interplay between the seascape and my body.In the sea, as a woman who identifies as other, my body becomes displaced from my everyday experiences. Gender, race, and class are dissolved because there are no social and political constructs to restrain and dictate my identity. These constructs have no place or value in that environment. This idea creates the foundation for these portraits.Most people's experience with the sea occurs at eye level with the horizon and they are oblivious to what is happening below the surface. I am interested in the notion that "just because you can’t see something doesn’t mean it isn’t there". Underwater, I am alien and unable to survive without gear. I explore this limitation by holding my breath and submerging for short periods of time to capture each image. The marine organisms I document have been shot in the same location over a span of two years in tandem with my own body. My intention was to investigate the changes occurring both within and without myself, as well as how our own actions affect our immediate environment over time.
I created these transfigured portraits by using collage techniques to bring together self-portraiture and my documentation of marine organisms. Each portrait brings together two separate entities: the body and various marine animals. By juxtaposing these images with a space in between them, each portrait is on the cusp of becoming a single image.This space represents a transient moment where I am regaining buoyancy and separating from the underwater environment to resurface. My intention with these photographs is to create a lasting breath that defies human limitation. The transformation exists within the space in between photographs. It is in this moment that the viewer makes the decision if both worlds are able to separate or merge. Index Next︎ https://nadiahuggins.com/Pulling-the-net Fri, 18 Sep 2020 15:55:54 +0000 Nadia Huggins https://nadiahuggins.com/Pulling-the-net <img width="933" height="1400" width_o="933" height_o="1400" data-src="https://freight.cargo.site/t/original/i/72df2b4a5c9303fb50e4d6c55557667b92ea029bcdeeca24879af629b5042cbf/the-net.jpg" data-mid="83165644" border="0" src="https://freight.cargo.site/w/933/i/72df2b4a5c9303fb50e4d6c55557667b92ea029bcdeeca24879af629b5042cbf/the-net.jpg" /> <img width="700" height="467" width_o="700" height_o="467" data-src="https://freight.cargo.site/t/original/i/88948e87f8c94d5b368153cceca3ed63ffc7a76bdfa45dc8860ac382848769da/46d9cb7625e92c358672c24d017b7a22_o.jpeg" data-mid="83165672" border="0" src="https://freight.cargo.site/w/700/i/88948e87f8c94d5b368153cceca3ed63ffc7a76bdfa45dc8860ac382848769da/46d9cb7625e92c358672c24d017b7a22_o.jpeg" /> <img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/e078d65cd426f3580d221ab5f0d19c69fbd643c07001f678d13e6a1315cdbb1e/nadia-huggins_image-1.jpg" data-mid="83165623" border="0" src="https://freight.cargo.site/w/1000/i/e078d65cd426f3580d221ab5f0d19c69fbd643c07001f678d13e6a1315cdbb1e/nadia-huggins_image-1.jpg" /> <img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/ba7e8c3efb12c47b1ccfbd1d6de8b8c925f3674f1e83b17bd7763aee3c5770e3/nadia-huggins_image-2.jpg" data-mid="83165624" border="0" src="https://freight.cargo.site/w/1000/i/ba7e8c3efb12c47b1ccfbd1d6de8b8c925f3674f1e83b17bd7763aee3c5770e3/nadia-huggins_image-2.jpg" /> <img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/4247401e6e5d6f3133af61803747a18a585d8e01a4958f3ee1091aeb8181b747/nadia-huggins_image-3.jpg" data-mid="83165625" border="0" src="https://freight.cargo.site/w/1000/i/4247401e6e5d6f3133af61803747a18a585d8e01a4958f3ee1091aeb8181b747/nadia-huggins_image-3.jpg" /> <img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/75f0f6fa1cfef2cb853e3eaee6b667c951d5590a920eb36689e68100cf1ec201/nadia-huggins_image-4.jpg" data-mid="83165626" border="0" src="https://freight.cargo.site/w/1000/i/75f0f6fa1cfef2cb853e3eaee6b667c951d5590a920eb36689e68100cf1ec201/nadia-huggins_image-4.jpg" /> <img width="933" height="1400" width_o="933" height_o="1400" data-src="https://freight.cargo.site/t/original/i/8f9946107ee0590bce2995a81fbed8af10c91297c3f84e152f1f0be0a29ec0a9/nadia-huggins_image-5.jpg" data-mid="83165627" border="0" src="https://freight.cargo.site/w/933/i/8f9946107ee0590bce2995a81fbed8af10c91297c3f84e152f1f0be0a29ec0a9/nadia-huggins_image-5.jpg" /> <img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/2d6e0bdf0818f3ec3f6f2d65499a3fe14ff53c14cf01a1e039e7101ba0996ead/nadia-huggins_image-6.jpg" data-mid="83165628" border="0" src="https://freight.cargo.site/w/1000/i/2d6e0bdf0818f3ec3f6f2d65499a3fe14ff53c14cf01a1e039e7101ba0996ead/nadia-huggins_image-6.jpg" /> <img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/5c80b0b7c1f7b9bee3a3ec8a8a7399aa82bb8b70ce23c817d66862f3557ef578/nadia-huggins_image-7.jpg" data-mid="83165629" border="0" src="https://freight.cargo.site/w/1000/i/5c80b0b7c1f7b9bee3a3ec8a8a7399aa82bb8b70ce23c817d66862f3557ef578/nadia-huggins_image-7.jpg" /> <img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/32803c59762db59e1070d12883eba21c4a9979e150e547e44e9eba180b4d0c7b/nadia-huggins_image-8.jpg" data-mid="83090996" border="0" src="https://freight.cargo.site/w/1000/i/32803c59762db59e1070d12883eba21c4a9979e150e547e44e9eba180b4d0c7b/nadia-huggins_image-8.jpg" /> Pulling the net Roseau Valley, St Lucia. 2011. There is a large pipe that runs from the ocean, along the valley to a nearby rum distillery. Large ships moor close to shore to pump molasses to the distillery. The people living in the village come together, both young and old, to pull in a large fishing net which they cast earlier. It's moving to watch two generations living in the now of the moment. I felt privileged to be allowed as an onlooker. Index Next︎ https://nadiahuggins.com/Black-Blue Fri, 18 Sep 2020 15:59:02 +0000 Nadia Huggins https://nadiahuggins.com/Black-Blue <img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/499d768cb44291658d9730bb63d433487095a7dec37dfd68d04d61843c10889c/black1.jpg" data-mid="83091213" border="0" src="https://freight.cargo.site/w/1000/i/499d768cb44291658d9730bb63d433487095a7dec37dfd68d04d61843c10889c/black1.jpg" /> <img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/dd0e8ab285e5df26e2eeef79d94afe2bee954fc836275b18c2e885ef05d7ee68/black8.jpg" data-mid="83166699" border="0" src="https://freight.cargo.site/w/1000/i/dd0e8ab285e5df26e2eeef79d94afe2bee954fc836275b18c2e885ef05d7ee68/black8.jpg" /> <img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/6f6bfdfddd3477971366889ccece13dafcfa972ebc6dbc6903b0e9df5977b442/black7.jpg" data-mid="83166701" border="0" src="https://freight.cargo.site/w/1000/i/6f6bfdfddd3477971366889ccece13dafcfa972ebc6dbc6903b0e9df5977b442/black7.jpg" /> <img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/8d835864ea83a48328656451900f5ca130f8d5252a778dca9ec1376d0cdd00e9/black4.jpg" data-mid="83166696" border="0" src="https://freight.cargo.site/w/1000/i/8d835864ea83a48328656451900f5ca130f8d5252a778dca9ec1376d0cdd00e9/black4.jpg" /> <img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/c7da3c3d665ee65c75a1e5185a9aed0fa2a44fd9b729a1fc2e0b5bfeb226e100/black3.jpg" data-mid="83166695" border="0" src="https://freight.cargo.site/w/1000/i/c7da3c3d665ee65c75a1e5185a9aed0fa2a44fd9b729a1fc2e0b5bfeb226e100/black3.jpg" /> <img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/526e570c9b30320f74ac9b931e56fef247ba8dbda5c9d182cd7ca39fd1789df8/black9.jpg" data-mid="83166700" border="0" src="https://freight.cargo.site/w/1000/i/526e570c9b30320f74ac9b931e56fef247ba8dbda5c9d182cd7ca39fd1789df8/black9.jpg" /> <img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/6d312d5919141c4497da786e7afe9db8effcbf76e54e519f03bc6c7b2db98f8d/black5.jpg" data-mid="83166697" border="0" src="https://freight.cargo.site/w/1000/i/6d312d5919141c4497da786e7afe9db8effcbf76e54e519f03bc6c7b2db98f8d/black5.jpg" /> <img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/498ac13b72e46fdaecfbe3e051313c65036f8a5fc9eaba87d4c3bbd3bc0178f1/black6.jpg" data-mid="83166698" border="0" src="https://freight.cargo.site/w/1000/i/498ac13b72e46fdaecfbe3e051313c65036f8a5fc9eaba87d4c3bbd3bc0178f1/black6.jpg" /> Black &amp; Blue Canaries, Saint Lucia. 2011. Index Next︎